播放地址
本剧简说
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
观众心声
全员演技爆发，尤其是那场对峙戏太绝了。
情绪渲染力极强，全程心都被揪着。
《一切安好2022》可太精彩了。前部分就爆了，好爽。节奏很好，有反转感，不错。期待导演潘礼德后续给力点，多拍点这种片子。
台词句句扎心，忍不住反复品味。
代入感超强，感觉自己就在故事现场。
反转神剧推荐 
海外动漫周榜单